cinematicthoughts

I think my rough theatre is photography. When I go out to shoot, I am often times presented with a rough atmosphere, between the cars, people, and environments I put myself into. With my photography, and rough theatre, it is about finding the little things that make me happy and that I enjoy. Within this wild world of turmoil, whether physical or metaphysical, we have got to take some time and smell the roses. (If I may piggy back off of Ferric Beuller, here.) A lot of times, I find myself as well as my friends getting caught up in the dirt of life, if you will. However, with my photography, myself and the model seem to dance with each other and play off of a certain type of philosophy. This philosophy is to find the beauty in a rough environment and to rejoice in the little pockets of happiness and joy we run across.

Ratings 1-6 (favorite to least favorite) 1. Bolex Long Take - I really, really loved this assignment. I had never worked with a Bolex before and actual film development, so this was a cool experiment for me. This was probably the most enjoyable part for me in regard to the assignment as well as the class. It forces one to plan and make sure you know exactly what you want out of a shot before the record button is pressed. I feel as though I have been lulled into a sense of complacency in today's digital world, so to take a step back and see how it originally began felt like I went back in time a little bit and got in touch with the root of film. Actual film! 2. Direct Address Video Letter -I had never done anything like this before and it was really interesting to figure out how to write a letter to myself. I had a lot of things going through my mind when this assignment was presented and the restrictions you used cultivated creativity. I wasn't able to use conventional me

Working with a Bolex presented a challenge for me. In the past, I have always created my cinema digitally via. DSLR. However, with the Bolex, I only got one chance to produce a film. It is very interesting how complacent I have become with the record button because in my view, pressing the record button is completely free and harmless aside from the task of sorting through footage whilst editing. With film it is a whole different story. Film costs money and for this assignment, I only had one full wind of the Bolex to create a story of sorts. The planning for this was a lot more in depth than previous pursuits because this one take had to be exactly how we wanted it; no do-overs. It was also challenging because I had to figure out the light with the desired exposure in mind as well as account for shade and such. I had never worked with a light meter either so this was uncharted territory for me. Overall, though, it was really fun. It felt extremely authentic to me and made it seem like

In the The entirety of the film was synchronized audibly and visually.  The lines, for example, played on the screen and off themselves much like the instruments would in the band. As the pitch of the lead would get higher, so would the line. If the instrument was a bass, the line would thicken. If it was a trumpet, the line would go thinner and more eccentric with his movements.